Tag Archives: detective novels

“TWO-BIT REVIEW” . . . “Lady Audley’s Secret”, by Mary Elizabeth Braddon (pub. 1861)

“Circumstantial evidence,” continued the young man, as if he scarcely heard Lady Audley’s interruption—”that wonderful fabric which is built out of straws collected at every point of the compass, and which is yet strong enough to hang a man.”

BOOK? . . . Lady Audley’s Secret, by Mary Elizabeth Braddon (pub. 1861)

WHAT KIND? . . . Novel

BE MORE SPECIFIC . . . “Sensation” fiction, early detective novel or mystery

ABOUT WHAT? . . . An unarguably beautiful young woman (with a “Secret”) who marries into a wealthy English family, one of whose members, an idle bachelor solicitor named Robert Audley, is roused into amateur sleuthing by his unflagging loyalty to a childhood friend in trouble. Not surprisingly, Robert cannot help his troubled friend without boldly piercing the Lady’s veil of secrecy.

SIGNIFICANCE? . . . Lady Audley’s Secret was a popular novel in the early days of the detective or mystery genre (what they referred to as sensation fiction). Wilkie Collins was a better known contemporary of Braddon, although Braddon’s books were very numerous and successful. One of her mentors was Baron Edward Bulwer-Lytton (“It was a dark and stormy night.”).

SO SHOULD I READ IT OR WHAT? . . . Yes, in terms of pure enjoyment it ranks high on my recent reading list. It’s an excellent detective novel. It does not deal with social issues or deep themes, it’s just for entertainment. But, its style, construction and characterization are on a par with many well-respected Victorian authors who concerned themselves with weightier matters.

YOU GOT ANYTHING ELSE TO ADD? . . . The one oddity about the book is its frequent disparagement of women: both by the narrator and the protagonist. Certainly these critical views of women were not the views of Mary Elizabeth Braddon. My hunch is that she incorporated this attitude into the novel either as a sort of private joke, or as a way of appeasing male readers and reviewers who, in those days, often harbored strong prejudices against women writers.

3 mysteries

I recently read three old detective mysteries in a row, starting with the hardest boiled, Mickey Spillane’s I, The Jury.  The plot wasn’t bad, it was a page-turner. It went a little overboard with the gratuitous violence: the private eye would beat up anyone who looked at him funny, and get away with it.  He was out of control. Anyway, worth reading for the experience and comparison with other styles.

Then I read The Ferguson Affair by Ross MacDonald.  This was more medium boiled.  Also well-plotted, except for a couple contrivances near the end. I’ve read one of his earlier mysteries and liked it, and this did not change my opinion. I don’t think you can go wrong with any Ross MacDonald mystery.

Finally I read The Spanish Cape Mystery by Ellery Queen.  The softest boiled style of the three, in fact the style is quite formal and literary.  It is rife with literary allusions to Greek mythology, Shakespeare, and many other classic writers and philosophers.  It is stimulating and witty.  The most interesting device is that Ellery Queen himself, in the role of private detective, is the protagonist of the story!  That device works very well, adds a lot of charm. This was my favorite of the three novels, it was utterly spellbinding, and I will go back to the library for more Ellery Queen very soon.  Enjoy!